Co-authored book

  • Anthony Glyn Burton, Wendy Hui Kyong Chun and Liliana Bounegru, Melody Devries, Amy Harris, hannah holtzclaw, Ioana Jucan, Alex Juhasz, Alex Juhasz, D.W. Kamish, Ganaele Langlois, Jasmine Proctor, Christine Tomlison, Roopa Vasudevan, Esther Weltevrede. Algorithmic Authenticity. Meson Press: Forthcoming.

In journals

  • “Digitally Live: Performative Presence in Times of COVID-19.” Performance Paradigm 17 (2022). Available online.
  • “Performing Left and Right.Theatre Journal 73.3 (September 2021): E-9-E-14. Available online.
  • “sys.begin to sys.exit: Software Performs A Piece of Work.” TDR: The Drama Review 59.4 (T228): Winter 2015.
  • “On Doing Performance Philosophy.” Co-authored with Will Daddario. In Confluent 9 (October 2014): 1-12. Available here.
  • “Performing the Accident: Through Richard Maxwell’s Ode to the Man who Kneels.” Liminalities: A Journal of Performance Studies 8.3 (September 2012): online.
  • “Losing the Temper of Reason: Self-reflections out of Time.” parallax 18.2 (April 2012): 3-16.
  • “An Experience of Thought: Measure for Endurance.” In A Peer-reviewed Journal about In/compatible Research (APRJA) affiliated with Transmediale Resource. Berlin: Transmediale, 2012, online.
  • “Metaphorically Speaking: Possibilities of Theatre Performance in the Digital Age.” Revista Caracteres 1.2 (November 2012): online.

In edited volumes

  • “Remain x Remains.” In Remain by Jussi Parikka, Rebecca Schneider, and Ioana Jucan. The book is part of the series In Search of Media (series editors: Goetz Bachmann, Timon Beyes, Wendy Chun). Leuphana University of Lüneburg: Meson Press, 2019. See here.
  • “The Human is the Problem: Scenes of Technology and Reason in Media Performance.” With Florian Leitner, Carolin Kipka, and Anton Pohle.  Eds. Stefan Höltgen and Sebastian Bach. Bochum (Germany): Projektverlag,  2018. 
  • “Performance in Late Capitalist Times: Adorno Encounters Neutral Hero.” Book chapter in Adorno and Performance. Eds. Will Daddario and Karoline Gritzner. Palgrave, 2014.
  • “Enduring Performance – Performer’s Notes on Cabinet of Cynics 1.” In This and That: Essays on Live Art and Performance Studies. Ed. Annette Arlander. Helsinki: University of the Arts, 2014. See here.
  • “Poetic Seeing in Wittgenstein and the Contemporary Avant-Garde Theatre.” In Image and Imaging in Philosophy, Science, and the Arts. Eds. Richard Heinrich Kirchberg am Wechsel: Austrian Ludwig Wittgenstein Society, 2010, here.